Här kommer en intervju med Duncan Reid (Ex The Boys) om då och nu med anledningen att han har släppt ett soloalbum.
First, please introduce yourself to the
people reading this. What's your musical
background?
How far do you want to go back? I found an old
bass guitar in my father's cupboard when I was at
school which he was trying to keep out of sight.
He'd been playing in blues groups around clubs in
London when the Stones were doing the same thing.
He didn't have the same success at it! ;)
I taught myself to play the bass which came
in handy when I met the rest of The Boys and
joined them in 1976. The Boys were one of the
first wave of punk bands to come out of London
in 76/77 and I was with them until just over a
year ago as bass player and one of the lead
singers. I left to make my own record and follow
my own path which I've been doing with the
release of my album Little Big Head and gigs
with my new band The Big Heads.
As you were present when the whole punk
thing started, do you want to share your
thoughts about punk in general with us?
The often called second wave of punk was
at it's peak when The Boys stopped playing
1981. What
did you think about the second wave of
punk in the UK back then?
Back in 76/77 punk was a very tiny and original band of people who reacted to dinasoar groups at the time by picking up guitars and playing short, fast songs with short hair. It was shocking and was meant to be. It was such an exciting teenage rebellion that it exploded in England and was suddenly all over the country although quite difficult to get people to pick up on in Europe and the States. For me, it burnt out in 1980 and I lost touch. I didn't follow punk until I came across it again much later on when The Boys reformed in the late 90's. At that time it seemed it had settled on being more of a standard look and less about originality although it was still great fun and a good antidote to all the musical rubbish going on all around.
Back in 76/77 punk was a very tiny and original band of people who reacted to dinasoar groups at the time by picking up guitars and playing short, fast songs with short hair. It was shocking and was meant to be. It was such an exciting teenage rebellion that it exploded in England and was suddenly all over the country although quite difficult to get people to pick up on in Europe and the States. For me, it burnt out in 1980 and I lost touch. I didn't follow punk until I came across it again much later on when The Boys reformed in the late 90's. At that time it seemed it had settled on being more of a standard look and less about originality although it was still great fun and a good antidote to all the musical rubbish going on all around.
When The Boys reformed in 1999, you
played with them for a couple of years and
then quit, why was that?
Well actually I was with that The Boys after we
reformed for another 13 or 14 years until late
2011 and there you have one of the reasons. No
job should be for life, should it? There were
many, many reasons why I parted company with the
band, some personal and some musical. I think my
leaving upset a lot of people. I can only
apologise for that and the fact that I'm so
happy doing what I'm doing now, promoting my
record and playing gigs with a great bunch of
people. I can say though that my new career is
also making a lot of people very happy and, so
I'm told, carries on the spirit of The Boys, so
that's good.
With The Boys, you didn't write that
many songs if I'm not mistaking. What
songs did you write and how did you get
the idea of start writing now and release
a solo album?
There were some b sides and a couple of tracks
on Alternative Chartbusters and To Hell With The
Boys but you are right. I was a late developer
when it comes to songwriting. It's something
that I suddenly found easy and enjoyable to do
when I got older. I think I needed to live a
little to get the alchemy that's required for
songwriting.
My main contribution to The Boys, apart from
singing and playing bass, was Live where I was
the one in the middle, bouncing away bringing a
lot of energy, generally being the front man. I
think that's why people say my new shows have a
Boys spirit because that energy is still there.
How would you describe your new music?
Is it something for old fans of The Boys
or is it a whole new thing? Maybe
something in between? What was your
inspiration when you were writing the
songs for your own album?
I write what comes out and that reflects my
favourite music which I believe is pop punk! For
me that was typified by The Ramones, Buzzcocks
and, of course, The Boys. So, yes, I'm sure
Little Big Head is an album which Boys fans will
love because so many of them have told me they
do already. Lyrically many of the songs reflect
my life and episodes from it. There's even one
song which tries to tell my whole life story!
You've released one album so far,
Little Big Head. Who was playing with you
on that album?
I played nearly everything. My friend Vom
Ritchie from the German band Die Toten Hosen
played drums and there are guest appearances
from Nigel Banks who plays some lovely pedal
steel type guitar and James Stevenson from
Chelsea/Generation X/Gene Loves Jezebel.
A huge contributor was Tony Barber who
produced the album in his shed. Tony has played
with everyone including Kurt Cobain and The
Buzzcocks.
Is the album released as a Cd or Lp?
Where can people from Sweden buy it?
It's out on cd so far. It's just been
released in the whole of Scandanavia on Sound
Pollution which is very exciting so hopefully
it will be in all the good shops as well as
digital sites.
What's the plan for this
project? Are you going to record some more
or are you focused on playing live?
Both. We've got a whole program of gigs for the
year, hopefully adding some Swedish gigs soon.
I've written about 13 songs so far for the next
album and we are starting recordings at the end
of the month. A new record won't be ready till
next year though.
Do you consider yourself a part of the
punk scene still? Do you know of any good
punk rock bands that's playing today
(except from The Boys)?
Yes, I consider myself part of the punk scene. A
large part of the punk scene will consider me
too poppy but its a broad church and there's
room for all sorts there. Vom Ritchie's band
Cryssis are worth checking out.
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